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Capo up, spread out your sound!

11/28/2014

2 Comments

 
I encourage my students to play with others whenever possible because it’s one of the best ways to learn the importance of steady rhythm and how to make one’s playing respond to what others are doing, whether it’s another instrumentalist or a singer. Plus it’s tons of fun!

When two guitarists get together to play, it’s natural for them to play the same chord voicings in same places on their guitars. A more interesting approach is utilizing a capo on one guitar while the other player (usually) stays in 1st position. This can be confusing to many beginners but the pay-off is a wider range of sound, which always sounds more interesting. So how is it done? Where should the capo go?

To understand this you must have at least a basic understanding of the intervals (musical “spaces”) used in music. In Western music, i.e., not music from other cultures such as far eastern and near eastern music, we define intervals in terms of whole steps and half steps. If you don’t have knowledge of this concept I would urge you to do some research – there are plenty of web sites and of course books that explain the basics of music theory. In a nutshell:

 We give a letter name to each note (and the chords that are built with them), A – G.

The musical space or interval between those notes is as follows:

A – B: whole step (the note between is thought of as A# or Bb, depending on the key)

B – C: half step (nothing between)

C – D: whole step

D – E: whole step

E – F:  half step

F – G: whole step

G – A: whole step

On the guitar, the distance from one fret to the next is a HALF STEP. So, for every fret you go up the neck with a capo, you are RAISING the sound of the guitar by ½ step. Now, here’s the take-away regarding capo placement:

If you want your capoed guitar to sound the same as the one playing un-capoed, you must think BACK ½ step for every fret you go up with the capo.

If that sounds confusing, here are some examples. I will refer to the un-capoed guitar as Guitar 1, and the one using a capo as Guitar 2. We’ll start with Guitar 2 placing the capo on the 2nd fret (or more accurately, just behind it):

Guitar 1 plays E Major = Guitar 2 plays D Major

Guitar 1 plays A Major = Guitar 2 plays G Major

Guitar 1 plays F# minor = Guitar 2 plays E minor

(you notice it is the “first name of the chord” that is affected, not the family of chords, i.e., Major or minor. The same thing goes for altered chords such as 7ths, 6ths, etc.)

I use capoing at the second fret as an example because you just need to think back 1 step to find the matching chord. Many players prefer a wider, more interesting range of sound and will capo farther up the neck. Capoing at the 5th or even 7th fret while playing with an uncapoed guitar really opens up some interesting sounds. Here are some examples – we’ll assume Guitar 2 has a capo at the 5th fret, in other words, that guitar is now 2 ½ steps higher in pitch than the un-capoed Guitar 1, so the player of Guitar 2 must now think BACK 2 ½ steps:

Guitar 1 plays G Major = Guitar 2 plays D Major

Guitar 1 plays C Major = Guitar 2 plays G Major

Guitar 1 plays E minor = Guitar 2 plays B minor

Guitar 1 plays A minor = Guitar 2 plays E minor

Guitar 1 plays D7 = Guitar 2 plays A7

Give it a try! Even if you don’t play with anyone else on a regular basis, record a song and then capo up and play along. If you’ve never done it, I promise you will love the bigger, more interesting music you’re making.

Peace & good music,

Gene

2 Comments
Jose
12/7/2014 09:00:57 am

Hello,
Thank you for the advice on capo.
I been playing the guitar for two years now, I been playing in a worship team. I want to be able to play different sounds on the guitar. We usually play in G, can I capo in 5th fret to give a different sound? Or that only applies to having two guitars?
Thank you

Reply
Gene
12/7/2014 08:02:33 pm

Hi Jose,
You can certainly capo up five and play D Major in place of 1st position G Major, G Major in place of C Major, etc, and you will still be in the key of G. Capo at 5 and you do lose most of the bass end of your guitar but the effect can be very pretty, especially on softer, finger-picked songs. You might also want to try capo 3 and play what look like E Major chords; this is a nice compromise between playing open/first position and capo up at 5 or above. Good luck! Gene

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